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Tap here to turn on desktop notifications to get the news sent straight to you. According to its professed aims, the Magdalena Project aims to create opportunities for women to explore new approaches to theatre-making that reflect, more profoundly, their own experiences and political priorities. Shabayek staged a series of monologues about the need for democracy and freedom. and then decided this had to be enacted on stage by a troupe that would bring new insights about the protest movement to the Egyptian people. And especially my six-year-old daughter who had difficulty separating truth from art, and asked me if I really had lost my third child. Sometimes it has been a huge boost to hear from iconic male and female figures, and from parents of the actors, that they are waiting to see this brought to stage, and possibly taken beyond Kathmandu. When some of the now-famous episodes of The Moaner or The Coochie Snorcher were first performed by Eve Ensler in the United States, she and her actors were breaking barriers - Eve herself was terrified. With Valentine's Day around the corner, this is the time when Vagina Monologues performances take off around the world.

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According to its professed aims, the Magdalena Project aims to create opportunities for women to explore new approaches to theatre-making that reflect, more profoundly, their own experiences and political priorities. BuSSy, from a translation of the Arabic word for "look," is a play on a slang word used to refer to vaginas. Tap here to turn on desktop notifications to get the news sent straight to you. Calling themselves the Magdalenas Nepal , after a similar project that sprang up in Wales in the s, and that has gained ground in Europe and Latin America, they drew on the theatre training of a few women who wanted to just come together and do a workshop or two, by meeting once a week. They have chosen to call it Yonika Kathaharu , which is a colloquial translation of the English title. The road has been less than obstacle-free and the women involved have had to tolerate barbs and predictable pushback from many quarters. Spurred on by the Arab spring, this gutsy journalist from Egypt created shockwaves when she turned away from journalism to indulge her passion for theatre in during the heady days of the Egyptian revolution and the now-famous protests in Tahrir Square.

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Under the direction of male director Eelum Dixit, who was determined to stage this despite a previous attempt that did not go down well, we performed "Anyone of Us. Like all social movements, it challenges taboos and pushes boundaries, and makes many who uphold the status quo exceedingly uncomfortable. The road has been less than obstacle-free and the women involved have had to tolerate barbs and predictable pushback from many quarters. Srijana Adhikari, one of the Magdalenas, Nepal. It is for young adults to step into that space where they are beginning to understand sexuality, and to learn what is permissible and what is not.

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Description: It became a storytelling platform and Shabayek has courageously proceeded by taking "BuSSy" performances to venues across Egypt. This is theatre as expression of social injustice and introspection. According to its professed aims, the Magdalena Project aims to create opportunities for women to explore new approaches to theatre-making that reflect, more profoundly, their own experiences and political priorities. Tap here to turn on desktop notifications to get the news sent straight to you. Calling themselves the Magdalenas Nepal , after a similar project that sprang up in Wales in the s, and that has gained ground in Europe and Latin America, they drew on the theatre training of a few women who wanted to just come together and do a workshop or two, by meeting once a week. As the group in Kathmandu shared experiences about intimacy, sex and relationships, they delved into their fears and acceptance of how silence was the norm. Sometimes it has been a huge boost to hear from iconic male and female figures, and from parents of the actors, that they are waiting to see this brought to stage, and possibly taken beyond Kathmandu. Under the direction of male director Eelum Dixit, who was determined to stage this despite a previous attempt that did not go down well, we performed "Anyone of Us. And especially my six-year-old daughter who had difficulty separating truth from art, and asked me if I really had lost my third child. It is for men and women to reflect on why things are the way they are.
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